So arguably 2012’s biggest tunes were Daphni‘s Ye Ye and Todd Terje‘s Inspector Norse
For some reason, whenever I went out clubbing over this year, attended private parties or spent more than two hours on the internet, there was no avoiding those two songs. Don’t get me wrong, I remember getting the digital promo of both those tracks quite early and immediately thinking to myself those would go on becoming major underground hit tunes. Yet, as soon as I got somewhat excited with those did I also get almost instantly massively bored, or more precisely bored by the fact that those presented no challenge : both those wonderfully crafted tracks offer you everything before you even feel the need to go look for anything. Well, I like my music to fight back a little more before I bag it!
Take Wheez-ie for instance, a newly released artist from the states. His music obviously has some direct appeal, epic ravy stabs, cheesy vocal samples, manic breakbeats, yet I still need to sell it to the audience, listeners, etc, which makes it so much more rewarding to play out when you get the right timing, challenging the deep house heads of the day to a more hedonistic and back to basics style of electronic dance music.
Neud Photo‘s custom memories of the eighties presents the very same challenge with a rather different set of aesthetics but yet remains a quite obviously catchy tune, with an attitude, one that demands the listener to step aside from the current standard to get into the infectious groove.
If you take some of the entries from the previous post such as the Mickey Pearce, King Britt or Omar S ones, you will find this as well, obviously good music that just needs to be fought into the audience’s ears, hips and shoulders, a magnificent statement to the DJing art’s potential.